SUPERGIRL: WOMAN OF TOMORROW (2026)

The DC Universe prepares for a bold shift with Supergirl: Woman of Tomorrow, a visually stunning and emotionally driven adaptation that promises to break away from the shadow of the Man of Steel and chart a raw, cosmic path of its own. Based on the acclaimed comic run by Tom King and Bilquis Evely, this upcoming film redefines Kara Zor-El not as Earth’s gentle guardian — but as a survivor hardened by loss, isolation, and exile.
Milly Alcock (House of the Dragon) stars as Kara, bringing a fresh and fiercely human interpretation to the last daughter of Krypton. Unlike her cousin Kal-El, who arrived on Earth as a baby and grew into its hopeful symbol, Kara remembers everything — the slow death of Krypton, the screaming silence of space, and the weight of survival. The teaser trailer makes it immediately clear: this Supergirl is not here to inspire with a smile. She’s here to reckon with pain and find purpose through it.
She’s not alone. Joining her is Krypto the Superdog — a loyal and powerful presence who offers both levity and muscle — and Ruthye Marye Knoll, played by rising star Eve Ridley, a young alien girl whose quest for vengeance becomes the emotional core of the film. Together, the unlikely trio sets out to track down Krem of the Yellow Hills (Matthias Schoenaerts), a ruthless fugitive whose actions set the stage for a sprawling, morally complex pursuit across alien landscapes.
Director Craig Gillespie (I, Tonya, Cruella) brings both visual boldness and character-driven weight to the material. Every shot in the teaser bursts with imaginative worldbuilding — fractured moons, burning skies, alien barrooms drenched in shadow. But beneath the spectacle lies aching emotional tension. Kara isn’t just traveling through the stars — she’s peeling back layers of grief, fury, and reluctant hope.
The film’s tone is a striking blend of space opera and coming-of-age introspection. Kara is portrayed not as a shining icon, but a flawed, weary warrior trying to decide what kind of person she wants to be. The tagline could easily be: “She’s seen too much to be good… but not enough to give up.” There’s a rawness to her portrayal that sets Woman of Tomorrow apart from both previous Supergirl iterations and other entries in the superhero genre.
Hints of Jason Momoa’s rumored appearance as Lobo electrify the fandom — and though the teaser keeps his involvement mysterious, the prospect of DC’s foul-mouthed interstellar bounty hunter crashing into this already volatile journey suggests a chaotic and thrilling collision of tones.
With creative direction from James Gunn and Peter Safran shaping the new DCU, Supergirl: Woman of Tomorrow feels like a statement piece — a film that rejects formula and embraces depth, myth, and soul. It doesn’t strive to be light-hearted or easy. It aims to be true — to loss, to rage, to the difficulty of being good in a universe that no longer remembers how.
💫 Kara Zor-El may be a Kryptonian, but in this story, her strength lies not in her powers — but in her choice to keep going, keep helping, and keep feeling. Even when the universe gives her every reason not to.